engaged$24991$ - перевод на греческий
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engaged$24991$ - перевод на греческий

COLUMN EMBEDDED IN A WALL AND PARTLY PROJECTING FROM THE SURFACE OF THE WALL
Engaged Column; Engaged columns
  • Engaged columns embedded in a side wall of the [[cella]] of the [[Maison Carrée]], [[Nîmes]], France, unknown architect, 2nd century

engaged      
adj. αρραβωνιασμένος, κατειλημμένος, πιασμένος

Определение

engaged
1.
Someone who is engaged in or engaged on a particular activity is doing that thing. (FORMAL)
They found the three engaged in target practice.
...the various projects he was engaged on.
ADJ: v-link ADJ in/on n
2.
When two people are engaged, they have agreed to marry each other.
We got engaged on my eighteenth birthday...
ADJ: usu v-link ADJ, oft ADJ to n
3.
If a telephone or a telephone line is engaged, it is already being used by someone else so that you are unable to speak to the person you are phoning. (BRIT; in AM, use busy
)
The line is engaged...
ADJ: v-link ADJ
4.
If a public toilet is engaged, it is already being used by someone else. (BRIT; in AM, usually use occupied
)
ADJ: v-link ADJ

Википедия

Engaged column

In architecture, an engaged column is a column embedded in a wall and partly projecting from the surface of the wall, sometimes defined as semi- or three-quarter detached. Engaged columns are rarely found in classical Greek architecture, and then only in exceptional cases, but in Roman architecture they exist in abundance, most commonly embedded in the cella walls of pseudoperipteral buildings.

In the temples it is attached to the cella walls, repeating the columns of the peristyle, and in the theatres and amphitheatres, where they subdivided the arched openings: in all these cases engaged columns are utilized as a decorative feature, and as a rule the same proportions are maintained as if they had been isolated columns. In Romanesque work the classic proportions were no longer adhered to; the engaged column, attached to the piers, has always a special function to perform, either to support subsidiary arches, or, raised to the vault, to carry its transverse or diagonal ribs. The same constructional object is followed in the earlier Gothic styles, in which they become merged into the mouldings. Being virtually always ready made, so far as their design is concerned, they were much affected by the Italian revivalists.